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Such
is the power and appeal of God that all things pale into
insignificance before Him. Take the Rockfort in Tiruchirappalli.
Though this was an important part of a series of Royal entities,
what abides is the fact that this towering hillock is the abode of
God. The hilly home of a son and his father. Last week you read
about the great Thayumanaswamy who resides on this hill. After
darshan at the Thayumanaswamy temple of Siva in Linga roopam and
the soothing, graceful form of Mattuvarkuzhal Ammai, we walk
towards the stairway. On the way, the temple priest asks us to
direct our vision towards the ceiling. A colossal painting of
Ambal graces the ceiling. Its speciality is that the eyes of Ambal
look at you whichever angle you look at her, like the painting of
Mona Lisa. This painting is 75 years old.
We
proceed towards the east and reach the open stairway. Within a
minute we reach the Kudaivarai koil. This is a protected site of
the Archeological Survey of India. The board put up by the ASI is
unfortunately defaced by some foolish soul. However one learns
that this is a shrine built by the great Pallava king
Mahendravarman in the ninth century A.D. This cave temple has the
sculpture of Shiva, Parvati and a personification of Cauvery. The
matted locks of Shiva are shown bearing the torrents of Ganga. The
edict in the temple says that the scene depicts Parvati pleading
with Shiva not to dally with Cauvery as she belonged to
Mahendravarman. Parvati, it is said, was apprehensive of Shiva's
fondness for rivers after his encounter with the tempestuous
Ganga.
The
cave temple has a doorway, which is closed. It is said that this
used to lead to Uraiyur, which was a royal seat those days. The
shrine is at a height of 273 feet and the number of steps is 417.
The last flight of stairs leads to the pinnacle, where Uchi
Pillayar sits and surveys the terrain below. The climb is
difficult but the energising breeze is invigorating. The people of
Tiruchirapalli love to spend the evening hours enjoying the
panoramic view of the city that lies below. One notices that
Trichy is a verdant city with many patches totally free of human
encroachment!
What
strikes one is the extremely narrow entrance to the sanctum
sanctorum. Pillayar is decked in sandal paste and his eyes are so
penetrating. There is a "pit" on the top of his
forehead, believed to have been created when Vibhishana rapped him
on the head in anger. The story goes that when Ravana's brother
Vibhishana was returning to Lanka after the Pattabhishekam
(coronation) of Lord Rama at Ayodhya, he was carrying an idol of
Ranganatha given to him by Lord Rama. He was told not to place it
on the ground, as it would be impossible to lift it then.Â
When
Vibhishana reached Trichy, the banks of the Cauvery brimming with
beautiful water attracted him. Unable to resist the draw of the
river, Vibhishana looked around to see if there was anybody with
whom he could leave the idol. At the time he saw a small boy and
bade him to keep the idol. The boy replied that he would call out
thrice, and if Vibhishana did not come back, he would place the
idol on the ground. After Vibhishana went into the river, the
small boy cried out to him thrice. The Lankan king did not
respond. The boy then placed the idol on the ground and it grew to
an enormous size. When Vibhishana returned, he tried to lift up
the idol. When he could not, he shouted at the boy who started
running away. He ran all the way up the hillock, where Vibhishana
finally caught up with him and knocked him on the head. The boy
then revealed himself to Vibhishana as Lord Vinayaka.
This
is the very idol that graces the Srirangam Ranganatha temple
today. After spending over an hour enjoying the salubrious
conditions atop the Rockfort we come down. We pick up some
abhisheka panchamrutham from the temple shop .We also pick up a
small figurine of Pillayar to take back great memories of this
unique temple.
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